8/14/2023 0 Comments Moku hanga classes pittsburghEach re-printing on each page of the book shows only one color block on the left, facing a complementary print with the black outlines and all color blocks up to that point on the right. Focusing on one single view, or print, from Andō Hiroshige’s One hundred famous views of Edo, the book contains successive re-printings of “ Yabu Lane at the Foot of Atago” (Atagoshita yabukōji) on one continuous strip of paper folded in accordion style. In addition to over two dozen original woodblock prints, these open houses showcased a fascinating book from the Fine Arts Library, Ukiyo Junjozuri, about the history and technique of woodblock prints. Theatre in Nōgaku Zue produced by Tsukioka Kōgyo ca. Students discuss the vibrant images of Japanese Noh ( nōgaku) Also in the showcase was Nōgaku Zue (能樂圖繪)by Tsukioka Kōgyo (月岡, 耕漁, 1869-1927), a four-volume set of cloth-bound accordion books with canonical scenes from various Noh ( nōgaku) theater classics. Highlights included the elaborate Gyōsai Hyakki Gadan (曉齋百鬼画談), a color woodblock print by the eccentric painter Kawanabe Kyōsai (河鍋 暁斎, 1831-1889) and Gyōsai Gadan (暁齋畫談), an illustrated guide on art created by Kyōsai and Batei Kinga (梅亭金鵞, 1821-1893). Christina Burke Mathison of the Department of History of Art, these hands-on classes gave students the opportunity to observe the various details and still-vibrant colors of original woodblock prints ranging from the mid-1800s to the 1920s. Held across the University Libraries in the Theatre Research Institute, the Rare Books and Manuscripts Library, and the Billy Ireland and Cartoon Library, these historic prints were gathered and displayed together in the reading room of the Billy Ireland for students in Artistic Media and Techniques (HISTART 4005) last October and again for those in Art & Visual Culture of East Asia (HISTART 2003) in December and April. These classes help stimulate and inspire our UCSC undergraduate art major students to prepare their artistic careers and expand their possibilities for study opportunities internationally.Students of HISTART 2003 observing original Meiji-era printsīy artists Kyōsai, Kiyochika, and ToshinobuĪs our reading rooms opened up again last year, we were thrilled to hold several open houses, featuring our manga collection as well as substantial holdings of woodblock prints (many of which are considered precursors to contemporary manga). Through various class activities, excursions, and cultural visits students were exposed to diverse and multi-regional art practices that broadened their perspectives and increased their understanding not only in the field of print media but in the larger contemporary visual culture. Classes included field trips to local museums and galleries, hands-on workshops at a traditional paper mill (washi) in Tokyo, and interactions with local visiting artists, master printmakers and other Japanese students. This method deeply influenced some late 19th-century Post-Impressionist artists, such as Van Gogh, Toulouse Lautrec, Edgar Degas and Edouard Manet.Īt Tokyo National University of the Arts, students studied the treasured historical skills and tools of Moku Hanga with greater understanding and appreciation. While in the Western tradition, oil-based ink is applied with a roller and printed onto the papers surface, often with the help of a press, in the Japanese tradition water-based ink is applied with a brush and, while being printed by hand, is pressed deeply into the absorbent Japanese paper. In Summer 2018 Professor Jimin Lee took a group of UCSC Art students to Japan to learn Japanese woodblock printmaking “Moku Hanga” known as the “Ukiyo-e technique” widely studied by artists today.
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